#Black photo full#

'More and more companies, more and more publications, are realizing that depicting the everyday life of this community and communities is essential.'.Dreamstime is the worlds largest stock photography community. Gado Images CEO Tom Smith tells Axios that over the past three years, he's seen a shift away from customers seeing Black history as a 'niche topic.' Use them in commercial designs under lifetime, perpetual & worldwide rights.What's next: The growing demand for images of African American history will determine how quickly Gado Images can process the entire collection. there's lots of moments of joy, and so to capture that on camera to offer a fuller sense of Black life is super important.' 'Our lives are not just consigned to managing poverty, incarceration, or just the negative things that people sometimes associate with being Black and Blackness.All photos are free from copyright restrictions (CC0) - no attribution required. The big picture: Jelks, who now works as the Racial Equity Manager at SFPL, tells Axios why she values the collection: Browse and download the best free stock black and white background images. Currently, 572 photos have enough metadata to be searchable and licensable through Getty Images.ġ985.

#Black photo full#

Ten years later, Gado Images' researchers are still working to annotate the full set of prints.Templeton, Jelks, and Taylor spearheaded the community engagement strategy, creating in-person events for local residents to identify photos.James Lance Taylor and Gado Images to digitize, research, and caption 5,000 prints. Why it matters: The struggle to share his work is part of a larger effort to preserve Black visual history.įlashback: In 2013, Gatson's sister partnered with historian John William Templeton Naomi Jelks, then-librarian at the San Francisco Public Library's African American Center Dr.

After his death in the early '90s, his images -and the stories contained within them - vanished from the public eye. Clarence Gatson made thousands of photos of San Francisco’s African American community while working as a photojournalist and production manager for The Sun-Reporter from 1975–1992.